Attractions and Places To See around Easenhall - Top 20

The church isn't level inside! It's well worth popping in. The VE Day memorial is very well done and worth a closer look.

beautiful place to ride by, especially at sunrise or sunset. the greyhound pub is on the junction for a half time stop as well. can either head to Bedworth/nuneaton, back into Coventry Central or round to Longford.

Draycote Water is an artificial reservoir (23 million m3), which was completed in 1969. In addition to its function as a water reserve, it is a leisure park u.a. for anglers, sailors, hikers. The rich bird life invites also to observations. Swimming is not allowed in the lake.

Excellent 8km cycling with great views and rest areas.

Hawkesbury Junction is a major waterways place at the junction of the Coventry Canal (Main Line - Coventry to Hawkesbury) with the Coventry Canal (Main Line - Hawkesbury to Fazeley) and the Oxford Canal (Northern Section - Main Line).   Coventry Basin (Canal Terminus) is on the Coventry Canal (Main Line - Coventry to Hawkesbury), 5 miles and 4 furlongs to the southwest. Hawkesbury Engine House is on the Coventry Canal (Main Line - Hawkesbury to Fazeley), ½ furlongs to the northeast. Sutton Stop is on the Oxford Canal (Northern Section - Main Line), ½ furlongs to the east. It is the centre of Hawkesbury Junction. The nearest place in the direction of Coventry Basin is Hawkesbury Services; ¼ furlongs away. The nearest place in the direction of Hawkesbury Engine House is Hawkesbury Junction Gauging Stop; ¼ furlongs away. The nearest place in the direction of Sutton Stop is Hawkesbury Junction Bridge; a few yards away.

Sutton Stop is a major waterways place on the Oxford Canal (Northern Section - Main Line) between Wyken Arm Junction (Old Colliery Branch) (1 mile and 3½ furlongs to the southeast) and Hawkesbury Junction (Junction of the Coventry Canal Main Line with the Oxford Canal Northern Section.) (½ furlongs to the west)  It is part of Hawkesbury Junction. The nearest place in the direction of Wyken Arm Junction is Sutton Stop Changeline Bridge; a few yards away. The nearest place in the direction of Hawkesbury Junction is The Greyhound Inn; ¼ furlongs away.

The parish church of ST. JOHN THE BAPTIST, on the west side of the main street, stands in a small churchyard on the slope of a hill, the ground falling from east to west, its eastern boundary being the outer ditch of the castle. It consists of a chancel, nave, north and south aisles, west tower, and north and south porches; the south porch has been converted into a vestry. It was rebuilt about the end of the 15th century and all that remains of the earlier church is the chancel, parts of the north aisle walls and possibly the staircase to the roodloft. The chancel is built of a mixture of limestone and sandstone rubble patched with bricks and tiles and has a modern steep-pitched tiled roof, modern coping and cross finial, and rebuilt buttresses. It is lighted on the east by a modern window of three pointed lights with a hood-mould and head-stops. The south side has a central buttress, and west of it are two restored lancet windows with a narrow doorway between them. The lancet to the west is divided by a transom to form a low side window. The doorway has a restored pointed arch, the splay carried down the jambs. The north side has a central buttress and another butting against the aisle wall, with a restored lancet window between them. The south aisle is built of red sandstone ashlar with a plinth of one splay, stepped down to conform with the slope of the ground. The wall is diminished in thickness by a weathered offset at sill level. It has a low-pitched lead-covered roof with a plain low parapet, with a moulded coping projected on a moulded stringcourse. The east gable is lighted by a partly restored traceried window of three cinquefoil lights under a hollow-moulded four-centred head. The south wall has buttresses at the angles, two intermediately, and a porch towards the western end. It is lighted between the buttresses by three windows similar to the one in the east wall. The porch has been rebuilt in brick and stone with a tiled roof and the entrance blocked to form a vestry. The south door, which has a four-centred arch under a square head, has been mutilated. The west end is similar to the east, but the coping is carried up as a lean-to instead of a gable. The buttress at the angle is diagonal, splayed to a point. The north aisle is built of rubble similar to the chancel and has a lean-to roof covered with lead, a battlemented parapet with trefoil panelled pinnacles at each end and crocketed finials. Originally there were two intermediate pinnacles, of which only the bases remain. The north side has diagonal buttresses at the angles, one intermediate and, towards the west, a porch. It is lighted by two three-light traceried windows with splayed fourcentred heads, the centre light trefoiled, the two outer cinquefoil; by a similar window on the east; and on the west by a trefoiled single light with a square head. The porch is timber-framed with a tiled roof, and the entrance has been fitted with a pair of modern doors. On both sides the timbering has been concealed, externally with roughcast and internally with plaster. The front retains its timbering, the entrance having a heavy moulded frame and four-centred head, carved spandrels and lintel, and a timber-framed gable plastered between the timbers. The door has a moulded four-centred head, square hood-mould, carved spandrels, and trefoil-panelled soffit and reveals which have been badly mutilated. In the centre of the hood-mould there is a shield with three swords (for Clarke). The tower is built of light-coloured sandstone ashlar with a moulded plinth and battlemented parapet on a coved string-course; at each angle there are bases for pinnacles. It rises in four stages, diminished at each stage by weathered offsets on the north and south, and on the east and west at the first and half-way up the third only. At the angles there are diagonal buttresses rising in five stages and splayed off to a sharp edge, except at the third stages on the west side which have gabled trefoiled niches. The west doorway, in a deep wave-moulded splay, is constructed of red sandstone and has a moulded four-centred arch under a square head, with carved spandrels. It is flanked by wall aracading in two tiers of trefoil-headed roll-moulded panels. Above the doorway is a tall pointed traceried window of three cinquefoil lights with a hood-mould, the tracery and mullions being modern, and in the second stage a clock dial. The tower staircase is in the south-west angle, with a loop-light to each stage and a square-headed doorway opening on to the aisle roof. The belfry is lighted on each face by pointed traceried windows of two trefoil lights, and the ringing chamber by similar windows on the north and south. Internally the floor of modern tiles has been laid to a continuous fall from east to west, probably taking the place of a series of steps, as the bases of the arcade pillars and windows are stepped down following the slope. The walls, except the arcades and tower, are plastered, the plaster being finished round all the aisle windows with scalloped edges. The chancel (28 ft. 4 in. by 15 ft. 6 in.) has four steps from the nave and three to the altar in addition to the slope of the floor. The east wall has a dado of modern coloured embossed tiles, and the window a segmental pointed rear-arch. At the east end of the south wall there is a shallow recess with a segmental pointed stop-chamfered head, probably a blocked piscina. The lancet windows have splayed recesses with square heads, and the doorway a segmental pointed rear-arch. The roof is a modern hammer-beam, its trusses supported on carved stone corbels. It is continued under the chancel arch with twin trusses, panelled between with pierced panels and supported on slender stone shafts with carved capitals and moulded bases resting on moulded corbels. The nave (48 ft. 3 in. by 17 ft. 7 in.) has a modern open roof with curved trusses resting on moulded timber corbels. Both arcades consist of five bays of pointed arches, of two splayed orders, supported on lozenge-shaped roll-moulded pillars, the arch splays dying out on the mouldings, which terminate in splayed stops on plain lozenge-shaped pedestals. At the junction of the south arcade with the chancel there is a circular stair up to a square-headed doorway which gave access to a rood, and half-way up there is a pointed opening to the aisle. It is lighted from the east by a small square-headed two-light window. The chancel arch is a modern pointed one, of two splayed orders, dying out on the north wall and on the south resting on a floriated corbel. The tower has a pointed arch of two splays to the tower and three to the nave, the inner order supported on three-quarter-round responds with moulded capitals and bases. The arch is of red sandstone with capitals of a light-coloured stone, and on the tower side in the apex there is a carving of an angel. The south-west angle is corbelled out in three steps for the tower staircase, the upper step being trefoiled, and below it there is a square-headed doorway. The pulpit and reading desk, of stone, are modern. The south aisle (49 ft. by 12 ft. 9 in.) has a lowpitched open roof of five bays with moulded members and carved bosses in the centres of the tie-beams. It probably dates from the early 16th century; the boarding and some rafters are modern. The trusses rest on stone corbels on the south wall, and on the north the outer roll mouldings of the arcade pillars are carried up with capitals in place of corbels. At the east end, the north-east angle is splayed to accommodate the staircase to the rood. The windows have hollowmoulded reveals with four-centred rear-arches, the window to the east having its arch extended eastwards and carried down to form a recess. The east wall has an offset at sill level with a chamfered stone capping, and the window reveals are carried down as a recess. In the east window there are some fragments of early coloured glass consisting of two chalices and parts of a canopy. The north aisle (45 ft. 7 in. by 9 ft. 11 in.) has a lean-to roof of five bays, of which two retain some of their original moulded members, probably early-16thcentury. The trusses are supported on stone corbels on the north wall and on square blocks of stone as capitals to the outer roll moulding of the arcade pillars. Over the door there is a painted coat of arms of George IV. The font, with a lead-lined basin, is built into the west side of the north arcade pillar opposite the door. It is of stone, with an octagonal moulded basin with paterae, and octagonal stem and base which has been rendered in cement. It has been re-dressed but is probably contemporary with the arcade. Near the door there is a small 17th-century oak chest with three hasps and fitted with lifting rings at each end. In the centre and east windows there are a few fragments of early glass, including a peacock and portions of a castle. The tower (15 ft. 10 in. by 13 ft.) has a window with widely splayed reveals, and a rear-arch of two splayed orders; the recess is carried down to include the doorway. In the chancel and aisles there are a number of 18thand 19th-century wall memorials. There are five bells, all of 1705, by Joseph Smith of Edgbaston. The registers begin in 1558.

When the War Memorial was first proposed, as a tribute to the memory of those brave villagers who had gone off to fight in the Great War and failed to return, money was raised by public subscription and a generous donation by Bluemels Bros. The design was by Mr W.H. Wood, architect to the Newcastle Cathedral authorities, and the total cost was £250. There was a difference of opinion as to where the Memorial should be located and the people subscribing to it were asked to choose between a site on the Derry next to the village pump and sign-post and the site opposite what we now call the Old Post Office. The location chosen, away from the hustle and bustle of the Derry, on the piece of land opposite the Old Post Office near to the entrance to the road to the Church allowed people to stand to read the names and contemplate the sacrifice made in peaceful surroundings.