The best cycling routes around Castelfranco Veneto

Considered the "little sister" of the contemporary porta San Tomaso, it is located at the end of Borgo Cavour. It presents itself with its Istrian stone facade with three arches. On the external facade, the representation that stands out above all is the winged lion, symbol of Venice's power over the mainland. It takes its name from the nearby church dedicated to the Forty Martyrs of Sebaste. It was built in 1516, perhaps on a design by Alessandro Leopardi,

Dominated by the imposing mass of St. Peter's Cathedral, Piazza del Duomo represents the center of spiritual power in Treviso, contrasted with the civil power of Piazza dei Signori. The space is characterized by the monumental neoclassical pronaos of the Duomo, with its six tall columns that give the area a solemn and elevated feel compared to street level. The square is a true architectural palimpsest: next to the cathedral stand the Romanesque Baptistery of San Giovanni and the ancient Canoniche buildings, which today house the Diocesan Museum. A distinctive element are the two lions in red Veronese marble, placed on the sides of the staircase, which seem to guard the entrance to the temple. Despite the very serious damage suffered during the bombing of 1944, the square retains a severe elegance, marking the arrival point of Via Calmaggiore and the beginning of the episcopal zone.

Located in the heart of Treviso, the Loggia dei Cavalieri is one of the city's most precious symbols of its communal past. Built in the second half of the 13th century under the podestà Andrea da Perugia, it was the privileged meeting and leisure place for nobles and knights, who dedicated themselves to games and conversations here. The structure is distinguished by its irregular quadrilateral shape and its large round arches resting on elegant Istrian stone columns. The internal and external walls are decorated with fresco cycles from the medieval era, including chivalric scenes and ornamental motifs that, despite the damage suffered during the bombings of 1944, retain a unique charm. Today, this open and monumental space continues to be a vital center for Treviso's culture.

Built in 1517 under the direction of the podestà Bartolomeo d'Alviano, Porta Santi Quaranta represents the monumental entrance to Treviso for those coming from the west (Padua or Vicenza). Together with Porta San Tommaso, it is one of the symbols of the defensive rebirth of the city carried out by the Republic of Venice in the 16th century. The name pays homage to the forty Christian soldiers martyred in Armenia, but during the period of Austrian rule it was renamed Porta Vendramin. The external facade, made of Istrian stone, follows a sober and elegant Renaissance style, with three arches, the central one intended for carts and the two side ones for pedestrians. Above the main arch stands the winged lion of Saint Mark, a symbol of Venetian power. A significant historical detail is the inscription celebrating the Serenissima's right to defend its borders. Today it marks the entrance to the Borgo Cavour district and is an integral part of the panoramic walk along the 16th-century walls.

The Sanctuary of the Walnut Tree and the Sanctuary of the Vision in Camposampiero represent the spiritual heart of the Antonian Way. In this place, immersed in the green of the Po Valley, Saint Anthony spent the last period of his life in 1231, as a guest of Count Tiso. The complex stands where once stood an imposing walnut tree, among whose fronds the Saint loved to retreat for prayer and meditation. The Church of the Vision houses the cell where Anthony received the visit of the Child Jesus, an event immortalized by classical iconography. The austere architecture and the Renaissance pictorial cycles that decorate the interiors convey a sense of deep peace, attracting pilgrims seeking direct contact with the most intimate and human dimension of the Thaumaturge.

Porta Santi Quaranta is one of three gates in the 16th-century walls of Treviso. Considered a "younger sister" to the contemporary Porta San Tomaso, it is located at the end of Borgo Cavour and thus provided access from the west (Castelfranco, Padua, Feltre). Its Istrian stone façade features three arches, the central one being the largest. On the exterior, the most prominent depiction is a winged lion, a symbol of Venice's power on the mainland. It takes its name from the nearby church dedicated to the forty martyrs of Sebaste, now Sant'Agnese. It was built in 1516, perhaps to a design by Alessandro Leopardi, by the Venetian podestà Vendramin, who named it "Porta Vendramina" and placed a self-celebratory plaque on it. This did not please the Venetian government, which changed the name and had the inscription removed.

Good Beers Outside the Walls

Nice mixed stretch of secondary road and dirt cycle path, always smooth and well-beaten