The best cycling routes around Cona

The Porta di Santa Maria Assunta is also popularly known as Porta Garibaldi. The historic city gate was originally built around 1520 and was part of the city fortifications. It is located at the southern end of the main street, the Corso del Popolo, and today serves as a freestanding gate around which road traffic flows. On the side facing the mainland, there is a marble relief of the Lion of Saint Mark, the symbol of Venice's former rule over the city.

The Porta di Santa Maria is the ancient monumental gateway that marks the entrance to the historic center of Chioggia for those coming from the mainland. Located at the southern end of the Corso del Popolo, the gate was built in 1530 to a design attributed to Michele Sanmicheli, replacing a previous medieval structure for the city's defense. The elegant and austere architecture served as a customs and military barrier in an era when Chioggia was a strategic stronghold of the Serenissima. Today, the gate represents the starting point of the main city promenade, welcoming visitors with its Istrian stone structure that introduces the Venetian atmosphere of the village, amidst canals and historic palaces.

The Canal Vena is the most picturesque and vital waterway of Chioggia, often described as the city's "Grand Canal". What makes it unique are its nine bridges, each with its own history and physiognomy, connecting the side foundations and allowing passage between the alleys. The most majestic is undoubtedly the Ponte di Vigo, located at the northern end of the canal, towards the lagoon. Built of marble in 1685, it represents the monumental gateway to the city: with its imposing staircase and elegant decorations, it offers a spectacular view stretching from the canal to the nearby island of Pellestrina. The other eight bridges, such as the Ponte di San Giacomo or the Ponte Caneva, follow one another along the route, offering postcard-perfect glimpses between moored boats and historic markets. These crossings are not just architectural structures, but the beating heart of Chioggia life, where the Venetian atmosphere blends with the authenticity of the fishing village.

Chioggia, an island that was once under Venetian rule, is beautiful despite the potential – in my humble opinion – for its appearance to be improved.

A town that preserves intact the traits of its maritime tradition, with its canals crossed by numerous bridges and the characteristic courtyards that open onto the waterways, offering evocative views. The brightly colored houses along the Vena Canal are one of Chioggia's most distinctive features, making it resemble a miniature of the lagoon capital, but with a livelier and more intimate feel.

Porta Santa Maria, Chioggia / Porta Garibaldi or Porta S. Maria This is a city wall that closed off access to the two canals and marked the southern entrance to the city. The Porta di Santa Maria Assunta (also called Porta Garibaldi) is a former city gate of the Italian city of Chioggia. It is located in the immediate vicinity of the Cathedral of Santa Maria Assunta. The now freestanding gate was built in 1520, was part of Chioggia's old city fortifications, and has been structurally altered several times throughout its history. On the landward side, a marble relief depicts the Lion of Saint Mark, the heraldic animal of Venice, symbolizing Venetian rule over the city. Until recently, the gate was red, but it is now yellow. Traffic now flows around the gate; inside the gate is a Latin inscription commemorating a visit by Pope Pius VI to Chioggia, as well as a decorative plaque bearing a coat of arms. Text/Source: wikipedia.org https://de.wikipedia.org/wiki/Porta_di_Santa_Maria_Assunta

Church of the "Filimates" or Patronage of the Blessed Virgin Mary and Saint Philip Neri, Chioggia The last great religious building from the time of the Serenissima, the Church of the Patronage of the Blessed Virgin Mary and Saint Philip Neri, commonly called "dei Filippini," was built between 1768 and 1772 according to designs by Tommaso Temanza and constructed by Giuseppe Canner, thanks to the generosity of Lodovico Alvise Manin, father of the last Doge of Venice (Lodovico Giovanni Manin), who was Podestà of Chioggia in 1720-21. Count Manin supported the Filipino presence in Chioggia and contributed to the construction of the church, the monastery, and the oratory. The last great religious building from the time of the Serenissima, the Church of the Patronage of the Blessed Virgin Mary and Saint Philip Neri, commonly called "dei Filippini," was built between 1768 and 1772 according to designs by Tommaso Temanza, thanks to the generosity of Lodovico Alvise Manin, father of the last Doge of Venice (Lodovico Giovanni Manin), who was Podestà of Chioggia in 1720-21. Count Manin supported the Filipino presence in Chioggia and contributed to the construction of the church, the monastery, and the oratory. Text / Source: Comune di Chioggia https://www.visitchioggia.com/de/discover/places-worth-seeing/location-details/#/infrastructures/TRN/85400b99-ddfa-4bee-b110-a25472fb9eff

Vigo Column, Piazzetta Vigo, Chioggia Vigo Column The Vigo Column, located in the square of the same name, is one of the most representative architectural elements of the city of Chioggia. Its location dates back to 1786, at the behest of Podestà Giulio Antonio Mussato. It was created from the collection of artifacts found during excavations in 1763 at the site of the former Praetorian Palace. Text / Source: City of Chioggia, Corso del Popolo, Chioggia (VE) https://www.comune.chioggia.ve.it/vivere-il-comune/luoghi/colonna-di-vigo/