The best traffic-free bike rides around Villebernier

The fortified building, built in the 16th century on the banks of the Loire, probably on the foundations of a pre-existing structure, was an integral part of the city's fortifications. This building has served as the city's administrative building since 1508, when Guillaume Bourneau, Sieur de Montaglan, Lieutenant General in Saumur, took office. Between 1856 and 1862, the building was expanded with a wing in the Neo-Gothic style, fashionable in the 19th century, designed by the architect Charles Joly-Leterme.

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The Royal Abbey of Fontevraud is one of the largest monastic communities in Europe dating back to the Middle Ages. It is a place with a rich history, located in the heart of the Loire Valley and listed as a UNESCO World Heritage Site. The abbey is a unique cultural site! An abbey with a royal destination, a formidable prison is today a place of creation (museum of modern art).

A castle-palace of the Dukes of Anjou in the 19th and 19th centuries, the Château de Saumur, where King René resided, is the last example of the princely palaces built by the Valois dynasty. It served as the residence of the city's governors, a prison, and later an arms and ammunition depot. It was purchased by the city in 1906 to house the municipal museum, now the Musée de France. Today, we discover the rich collections scattered throughout the former apartments of the Dukes of Anjou in an educational museography. Want to know more? Click here: https://www.ot-saumur.fr/en/castles-and-country-houses/Saumurcastle-5261718/

The first stone was laid on 20 June 1864. As an architect with eclectic tastes, Joly-Leterme was inspired by the style of the Louis XVI period, which was contemporary with the hall he replaced. He borrowed in particular from the neoclassical colonnades of the Grand Théâtre de Bordeaux and the Madeleine in Paris. On the left, the colonnade overlooking the Loire has a rather successful disappearing effect; the monument is not rectangular, but narrows towards the east. The hall opens onto the Place de la Bilange, which it dominates with its monumental proportions. The eastern façade, dedicated to the musicians and the entrance for the artists, has a more intimate appearance. It is narrower, with five instead of seven arches. This façade has often changed in appearance. The hall is in the "Italian style", a type of hall that was fashionable during the Second Empire. Large reception areas are planned: a grand staircase overlooking the Place de la Bilange, a spacious foyer on the first floor, a wide peristyle accessible to all, and galleries on the upper floor providing access to numerous rooms. In the middle, the concert hall is reduced to a small, high space. The stage, of good dimensions, has been rebuilt several times. The red-gold tones of the hall, restored in 1963, have come to life. Source: https://www.ville-saumur.fr/patrimoine-architectural/le-theatre-2

The Place Saint-Pierre in Saumur has traditionally been a haven for bistros. This is where social life meets. Sit down and enjoy the bustling life.

Behind the classical 17th-century facade lies a magnificent building that combines both Romanesque and Plantagenet Gothic styles. Saint Peter's Church is a representative example of Plantagenet Gothic (12th-13th centuries), particularly due to its strongly curved vaults. Among the furnishings is a remarkable set of 15th-century choir stalls. (Organ concerts are regularly held here). Restoration of the west facade began in November 2008. A team of stonemasons consolidated and restored this classical facade in a "composite" style. This facade had closed off the nave since the 17th century following the collapse of the first Gothic facade. The building was then completely restored! Source: https://www.ville-saumur.fr/patrimoine-architectural/l-eglise-saint-pierre-2

History: In 1454, while ploughing his field, a farmer discovered in the "ardille" (clay, a word that according to legend gave its name to Notre-Dame-des-Ardilliers) a stone statuette about thirty centimetres high representing a Pietà. The farmer took it home. Twice he discovered that the Pietà returned to its place of discovery, near a fountain that was already known for its healing properties. From that moment on, devotions developed around this statuette, which was placed in a niche under a stone arch. Jean Olivier, Bishop of Angers, laid the foundations of the Notre-Dame-des-Ardilliers chapel. Bishop Gabriel Bouvery, Bishop of Angers, opened the new church on 30 July 1553. It was a place of pilgrimage. The fountain was said to perform miracles. In 1614, thanks to the support of Marie de Medici, the management of the sanctuary was entrusted to the Order of Oratorians. In 1619, they settled in Ardilliers and founded a royal college in 1624. Louis XIII granted it the status of royal chapel and, from 1628 to 1643, the Oratorians built the buildings to the east of the chapel that would house their community, the classrooms and the students' dormitories. From 1634, Richelieu had a chapel built on the north wall of the chapel for votive and funeral purposes. The chapel was closed during the Revolution. The Oratorian house became a barracks and the rotunda was converted into an ammunition store. In 1796, the Sisters of Sainte-Anne-de-la-Providence opened a hospice there for the expelled. In 1798, the hospice became the property of the city of Saumur. The chapel was put back into use in 1799, but was damaged by damp. From 1849, architect Charles Joly-Leterme began restoring the building. ​​The Sisters of Sainte-Anne-de-la-Providence became the owners of the former Oratorian House in 1866. During the Battle of the Cadets, in June 1940, the bombing destroyed the roof structures of the chapel and the Oratorian House. The vault of the nave collapsed. The buildings were restored between 1947 and 1957. The oak frame of the dome was replaced by a concrete shell to reduce the pressure on the walls. The Oratorian House was converted into a school in 1953. In February 2025, a fire broke out. Source Wikipedia