The best traffic-free bike rides around Crécy-Couvé

The Saint-Martin church, located in Châtaincourt, was not always the only place of worship in the commune. A small chapel did indeed exist between Châtaincourt and the hamlet of Boutaincourt at a very ancient date, since Louis VII the Young, King of the Franks from 1137 to 1180, came there on pilgrimage in 1155. The Saint-Jacques chapel, such was its name, and the place of the same name no longer exist today, they were destroyed during the Wars of Religion.

The Moulin de Mormoulins is a watermill located on the Eure River in the hamlet of Mormoulins. This mill dates back to the 18th and 19th centuries and is a listed historical monument. You can admire the old stone building, the wooden wheel, and the canal that diverts water from the river as you pass in front of the mill. The mill is surrounded by green fields and trees, creating a peaceful and relaxing atmosphere.

The current church was almost entirely rebuilt in 1542 on Gothic foundations. The Gothic church was reportedly destroyed in 1424 by the English. According to legend, Saint Lubin, Bishop of Chartres, came to rest in this place, which housed a recluse inhabited by a monk. A chapel was built there towards the end of the 6th century.

Very beautiful pond

Located on the banks of the Blaise River, southwest of Dreux in the prestigious Crécy-Couvé district, the Marquise de Pompadour's residence from 1746 to 1757, the seigneury of Saulnières came under the Marquise's ownership in 1754. Some remarkable elements of the church's furnishings are undoubtedly due to the generosity of this patron of the arts. The Saint-Pierre church, built on the heights of the commune of Saulnières, is believed to have originally been the church of a Benedictine convent, which ceded it to its inhabitants in 1571 after the sack of their place of worship in 1562, during the First Battle of Dreux. While the cartularies of Saint-Père, Beaulieu, and Belhomer mention the town from the first half of the 12th century, we have no documents on the church before its transfer to the commune. The building (34 m by 11.5 m), oriented, with a single nave of four bays extended by a choir bay, ends with a three-sided chevet extended along the axis by a sacristy. The walls are made of cobblestone and grison rubble, while the twelve buttresses are sandstone. The steeply pitched roof is covered with tiles, and, practically in its center, stands a bell tower with a hexagonal base crowned by a spire of the same shape. The western door is framed by two buttresses: it is surmounted by a rose window that probably dates from the 19th-century construction campaign. In the south wall, at the level of the first bay, a blocked, semicircular-arched entrance door suggests a Romanesque construction. From the second bay, light streams in generously through eight openings: semicircular arches for those in the nave and Gothic-style for the four choir bays; a fifth, axial, was blocked when the altarpiece was installed. The 16th-century stained-glass windows were destroyed during a bombing raid during the Second World War; only a few elements, listed as Historic Monuments, remain in the sacristy. The vault, covered with shingles, must have been painted, as evidenced by the hallmark decorated with black and white diamonds and chevrons, likely from the 16th century. The great simplicity of the architecture is offset by the relative richness of the furnishings. The late 15th-century stone statues representing Saint Barbara, a religious figure without attributes, and two angels from the same period constitute a fine example of Gothic sculpture, albeit lacking the two angels purchased in the early 20th century for the Louvre, where they are now on display. The choir's layout could date back to the time of Madame de Pompadour: the doors, open on either side of the central section, are surmounted by two painted and gilded wooden statues, Saint Peter and Saint Sebastian. The central section is crowned by God the Father, and the canvas depicts Saint Peter freed from his chains by an angel. A fragmentary funerary liter is still visible inside and outside. In 2003, the Sauvegarde de l'Art Français (French National Art Foundation) granted €10,000 in aid to help repair the structure and roof of the building, whose condition had been aggravated by the 1999 storm.

Mentioned in 1159 as a possession of the chapter of Chartres, the oldest parts of the church of Saint-Léger, the nave and western façade, must date back to the 11th century. The nave, 15 m long and 7 m wide, is built from small rubble stones embedded in mortar. Only the corner quoins of the façade and the semicircular arch of the entrance door are made of dressed stone. In 1514, a larger choir (10 m X 10 m) finished by a flat wall, was added to the east. Some of its pointed arched bays have retained their beautiful tracery. The entire choir and nave are covered by a beautiful framework in the shape of an inverted hull. A significant decoration, created in the 18th century, woodwork, stalls, work bench, glory arch, lectern, and communion railing have been fortunately preserved. Traces of medieval wall paintings and a coat of arms were spotted on the walls, as well as ancient graffiti on the exterior. A 12th-century stone baptismal font and a 15th-century stone statue of Saint Léger are listed as Historic Monuments. A slate bell tower, topped with a slate spire, rises above the slightly recessed gable of the western façade. The Sauvegarde de l'Art Français (French Art Protection Agency) granted aid of 100,000 francs in 1992 and then 40,000 francs in 1993 for essential work on the framework and roof.

large bird reserve and nautical activities

Every year, during the Heritage Days, the association "Au Cœur de Nos Villages" opens the doors of the Saint-Pierre church. A building from the 12th and 15th centuries, listed as a historical monument, whose bell tower, clock, and five renovated altarpieces, including Saint Michael slaying the dragon, are to be discovered. For the benefit of the Restos du Cœur Walkers will also be able to get to know the Atelier Arc-en-ciel (plastic arts) which exhibits the works of the adult group. Paintings, in red chalk, white pencil, sepia, etc., representing views of the church, statues, etc., will be put on sale for the benefit of the association Au Cœur de Nos Villages.