The best traffic-free bike rides around Martellago

Located in Scorzè, along the banks of the Dese river, the Mulino Michieletto represents one of the most fascinating testimonies of Venetian hydraulic civilization. An integral part of the charming Percorso dei Quattro Mulini, this historic structure evokes a past when the local economy revolved around the power of water. Although no longer operational, the building retains its architectural charm intact, with visible signs of the ancient water wheels that once ground the area's cereals. Immersed in a valuable natural setting, a short distance from the Oasi Todori, the mill is today a privileged destination for those who enjoy cycle touring or slow walks, offering an authentic and silent glimpse into the symbiosis between man and the riverine territory.

Porta San Tommaso is the most imposing of Treviso's gates.

Considered the "little sister" of the contemporary porta San Tomaso, it is located at the end of Borgo Cavour. It presents itself with its Istrian stone facade with three arches. On the external facade, the representation that stands out above all is the winged lion, symbol of Venice's power over the mainland. It takes its name from the nearby church dedicated to the Forty Martyrs of Sebaste. It was built in 1516, perhaps on a design by Alessandro Leopardi,

Located along the banks of the Marzenego river, the Robegano Mill is one of the most significant examples of industrial archaeology and milling tradition in the Salzano area. This historic structure, which harnessed the power of water for centuries, was a vital hub for the local agricultural economy, transforming cereals into flour for entire generations. Although the original production activity has ceased, the complex retains its architectural charm intact, characterized by solid brick volumes that are reflected in the watercourse. Today, the mill is often at the center of cultural enhancement projects, serving as a bridge between the Venetian rural past and the present. The surrounding area offers a relaxing natural setting, ideal for walks that allow you to rediscover the inseparable bond between man, the river, and the artisanal work of the past.

The first section of the Treviso-Ostiglia cycle path entering the province of Padua.

Built in 1517 under the direction of the podestà Bartolomeo d'Alviano, Porta Santi Quaranta represents the monumental entrance to Treviso for those coming from the west (Padua or Vicenza). Together with Porta San Tommaso, it is one of the symbols of the defensive rebirth of the city carried out by the Republic of Venice in the 16th century. The name pays homage to the forty Christian soldiers martyred in Armenia, but during the period of Austrian rule it was renamed Porta Vendramin. The external facade, made of Istrian stone, follows a sober and elegant Renaissance style, with three arches, the central one intended for carts and the two side ones for pedestrians. Above the main arch stands the winged lion of Saint Mark, a symbol of Venetian power. A significant historical detail is the inscription celebrating the Serenissima's right to defend its borders. Today it marks the entrance to the Borgo Cavour district and is an integral part of the panoramic walk along the 16th-century walls.

Il Bastione San Paolo constitutes a fundamental part of Treviso's 16th-century city walls, located in the north-eastern sector of the city. Designed as part of the defensive enhancement desired by the Serenissima, it presents itself as a massive earth and brick structure, engineered to withstand the modern artillery systems of the time. Currently, the area has lost its military function to become one of the most evocative green areas in the historic center. Its tree-lined avenues offer an elevated panoramic walk overlooking the canals below, once defensive moats. It is a perfect example of urban regeneration, where Renaissance engineering blends with the tranquility of the city's river landscape.

Built in 1518 under the direction of the podestà Paolo Nani, Porta San Tommaso is the most imposing of Treviso's three 16th-century gates. Probably designed by Fra’ Giovanni Giocondo, it is distinguished by its lavish Istrian stone facade, conceived more as a Renaissance triumphal arch than a simple military structure. The external facade is richly decorated with trophies, coats of arms, and the monumental Lion of Saint Mark, a symbol of Venetian rule. A curious detail concerns the statue placed on top: it depicts Saint Paul, a tribute to the podestà Nani (Paolo), although the gate takes its name from the nearby church dedicated to Saint Thomas Becket. Inside, the structure preserves the large arches that once housed the guardrooms and drawbridge mechanisms, still representing today the main access point for those coming from the north.