The best traffic-free bike rides in Gerotter Wald

At the Kamp, above Zwettl, a weir with a mill race and a power station were to be built, in which two turbines with a total of 100 HP would generate enough electricity to operate at least 950 light bulbs in Zwettl, each with a luminous intensity of 16 standard candles. [The "standard candle" was an old unit of measurement for luminous intensity = the light of a paraffin candle with a diameter of 20 mm, whose wick was trimmed so that the flame burned 50 mm high.] Initially, it was planned to generate high-voltage direct current, which was to be transported to Zwettl via an approximately 2.8 km long overhead line to a transformer. The costs for all preparatory work (including land and usage rights acquired as early as April 1892) were borne in equal parts by Wichtl, Göschl, and Löscher out of their own pockets.

In 1892, when the use of electrical energy was still in its infancy worldwide, three Zwettl businessmen made the bold decision to build an "electrical power and light central" (= a power plant) in this city. They were the 40-year-old master miller Alois Wichtl (Kuenringerstraße 3), the innkeeper Karl Löscher (Ottenschlager Straße 2), then just 38 years old, and the 43-year-old master cabinetmaker Friedrich Göschl (Kamptalstraße 22). They consulted the Viennese electrical engineer Franz Kröttlinger and became convinced that they had found the ideal location for their power plant in the Kamptal, near the Gschwendtmühle. Here, both the drop, water level, and water volume seemed suitable for the project to the technician.

In 1984, the municipality, in cooperation with the Nature Friends and the local savings bank, created a memorial plaque with a relief image of Emperor Franz Joseph. The monument is still popularly called Kaiserbüste (Emperor's Bust), even though there is no longer a bust of an emperor here.

The old cult object, a statue of the Virgin with Child, has now been displaced by the construction of a Lourdes grotto and a statue of Our Lady of Lourdes. To the left of the grotto stands Saint Francis of Assisi in a semicircular niche. The statue depicts the saint in his characteristic brown habit, accompanied by an ox. He carries a crozier and holds a book, referring to his role as a religious role model and founder of an order. In the ivy-covered Lourdes grotto stands a statue of the Virgin of Lourdes. She wears a white dress with a blue sash. To the right of the grotto stands Saint Florian in a semicircular niche. He is depicted as a Roman soldier with armor, a cloak, and a spear.

Really lovingly arranged, and always worth a photo.

The municipal authorities succeeded in winning over Master Hundertwasser to plan and build a fountain system in the main square. The presentation of the fountain model met with great approval from the people of Zwettl, but also with vehement rejection. In 1994, the fountain system, consisting of three main elements – the two fountain columns with collecting basins and the pavilion – was handed over to the public. It has since been a popular meeting point in the heart of the city. Friedensreich Hundertwasser died in February 2000 at the age of 71.

Until the end of the 19th century, a monumental public fountain stood in the middle of the main square, the terminus of the oldest Zwettl water pipeline dating back to the early 17th century; a place where the population met, not just to fetch water. In 1925, a war memorial was erected here, and from the mid-20th century onwards, the square in the heart of the city was primarily used as a parking area. In the early 1990s, the municipality of Zwettl decided to redesign the main square. The aim was to give the city an attractive center again and thus preserve the tradition of the old Zwettl main square for the present and the future. Friedensreich Hundertwasser, born Friedrich Stowasser in 1928, had owned an old mill on the banks of the Kamp river above Zwettl since the 1970s.

Originally, after the town's founding, Trinity Square was part of Zwettl's main square, which at that time stretched as an extensive triangular plaza from the townhouses behind the Hundertwasser Fountain to the level of the Hausleitner house above the "Zur Goldenen Rose" inn. The construction of houses along the lower Landstraße, the so-called "Grätzl," significantly narrowed the main square, and the addition of the cross street eventually divided it into two squares.