Easy hikes and walks around Forêt Domaniale de Saint-Trojan

Born in the late 19th century, seaside architecture developed especially after 1936 with the introduction of paid holidays. This seaside architecture can be seen in Saint-Georges d'Oléron and Saint-Trojan-les-Bains, pioneering towns for tourism in the Oléron region. It is particularly evident in Saint-Trojan-les-Bains, in the neighborhood surrounding Boulevard de la Plage. Whether English-inspired cottages or Basque-inspired chalets, the seaside neighborhood was established along the seafront, completely independent of the original village. The seaside district allows for a variety of materials, combining stone, wood, brick, and colorful earthenware with painted plant or floral motifs, on the same facade.

In addition to its beaches, what characterizes Saint-Trojan-les-Bains are its numerous seaside villas from the late 19th and early 20th centuries. The establishment of the first steamboat maritime links, the opening of the railway, and the advent of the first sea bathing at the end of the 19th century allowed Saint-Trojan to experience an unprecedented influx of tourists. The shelter provided by the forest, combined with a very favorable climate, made this village a very popular resort for summer visitors. The presence of numerous Belle Epoque villas today bears witness to this glorious period. There are various regionalist inspirations, evocative of travel: English cottage, Basque villa, neo-Gothic castle, etc. They provide indications of the popular and "upscale" seaside resort that it was at that time. Some are also listed. Note the diversity of materials used for construction: rubble, cut stone, bricks, wood, mechanical tiles, slate, etc.

In Saint-Trojan, in Charente-Maritime, the parish church is dedicated to Saint-Trojan, the fifth bishop of Saintes, and was built around 1140–1150 by the Chapter of Saint-Eutrope of Saintes, although an earlier building, made of rubble, probably existed in the 11th century. This first church (built in the medieval period and covered, like the old village, by sand blown by westerly winds) had a nave and an apse that has now disappeared, as evidenced by the sculpted modillions reused in the current choir and a Romanesque western portal dating from the 1080s. Stones from the old church were used in the reconstruction of the new place of worship, with the exception of the bell tower. In the 12th century, a new semicircular choir with a half-dome vault was built to the east, and the nave was raised with dressed stone. A square bell tower, built to the southwest of the antechoir, was also erected, destroying the southern arcades of the nave in the process. During the Wars of Religion, the church was fortified: the windows were walled up, pierced with arrow slits, and made defensive. The church today consists of a wide timber-framed nave, covered with a plaster ceiling, followed by a narrower bay forming the antechoir and a semicircular chancel. Access to the antechoir is through an unusual saddleback arch. The square transept is marked by a mitered arch, resting on ornate pilasters, with angular fluting and sawtooth patterns to the south, and only sawtooth patterns to the north. The north wall retains two semicircular arcades, surmounted by archaic capitals carved with foliage, birds, figures, and an owl. The bell tower, set back from the south wall, rises in three slightly descending levels, topped by a fourth level pierced by semicircular bays on round columns, forming twin windows inside. In 1824, a campanile equipped with a bell was installed. The western facade, partially rebuilt, retains a 12th-century portal with two arches. Despite modern alterations, particularly in the 19th century, the Saint-Trojan church retains a homogeneous Romanesque ensemble, remarkable for its sculpted decoration and the architectural quality of its bell tower. Inside the church, a sober atmosphere prevails. A beautiful wood-paneled vaulted ceiling and beautiful, relatively undecorated exposed gray stone walls lead to the choir after passing a row of wooden pews. The latter, in a relatively modern and refined style, is entered by a step and features a beautiful white stone altar (which replaced the wooden altars adorned with columns and pediments in 1962) and a pulpit on the right. Behind the altar, a magnificent Christ on the cross is centered on the back wall, surrounded only by two wooden doors surrounded by a cut stone surround, and probably leading to the sacristy. Must-sees include the baptistery and its statue of the Virgin Mary, and the stained-glass windows, including the one depicting the "Miraculous Catch of Fish" created in 1885. The church also contains paintings by Omer Charlet, notably that of "Our Lady of the Sea," as well as an ex-voto from the captain of the three-masted André Félix, which sank in 1847, and a model of the Victory, commanded by Admiral Nelson. This heritage site has been classified as a historic monument.

It is a tree of the Cupressaceae family. Height: 15 m Circumference (at 1.30 m): 6.2 m St. Trojan - Boulevard F. Faure More than 650 remarkable trees, comprising over 80 different species, were recorded during an inventory conducted between 1995 and 1998 by Nature Environnement 17. A book was published illustrating this work: "Remarkable Trees of Charente-Maritime" by Nature Environnement 17 (October 1999 - Imprimerie Delavaud in Saintes, 17100).

beautiful port

The small harbor offers several excellent restaurants, and a little further away, there are also oyster farms. A recommended stop while hiking (or anytime).

Remarkable tree on the Saint-Trojan promenade http://arbres.observatoire-environnement.org/arbres.php?idarbre=14931

A man-sized stone commemorates the landing at nearby Gatseau Beach, which marked the island's liberation from German occupation in April 1945. Further details can be found on an information board next to the stone.