The best gravel rides around Carmona

In the monument stand out, in the background, the arches of the flour mills of the Vega, leaving in a more prominent place one of the original machines of the Hijos de Juan Ortega factory, which dates from 1938, the year in which Juan Ortega Mateos founded the company.

The Vía Verde de los Alcores is a 25-km nature trail that connects Carmona with Alcalá de Guadaíra, passing through Mairena del Alcor and El Viso del Alcor, following the old route of the legendary Tren de los Panaderos (Bakers' Train). It's perfect for walking, cycling, horseback riding, and even wheelchair access in some sections. The terrain is mostly sandy soil, surrounded by countryside, stone pines, and Mediterranean scrubland.

Do not ride in wet conditions or after rain! The mud will stick to the bike so badly that you can no longer ride it!!

Pleasant linear park along the bike route crossing Mairena del Alcor from east to west. A decorative fountain is active and illuminated at night on the western end of the park.

The hermitage of the Divina Pastora is a contemporary building in Andalusian style, crowned by an artistic bell tower. Construction began in 1956 according to plans by the Sevillian architect Aurelio Gómez Millán. Its popular brick and tile festivals stand out, in which the devotees collaborated by providing these materials for their construction. The works were completed on September 30, 1960. Inside, it contains an altarpiece with a painting of the Divine Shepherdess by the Sevillian painter Juan Antonio Rodríguez. On the façade there is a ceramic altarpiece of 1.20 x 2 m, a work from the mid-twentieth century by Alfonso Chaves Tejada, made by Ramos Rejano in Seville.

The Ermita de Nuestra Señora de la Soledad in Cantillana is a beautiful chapel dedicated to the Virgen de la Soledad, the patron saint of the village. The chapel is in Baroque style and consists of a single, spacious nave closed by a beautiful plaster cross vault. The front of the chapel is adintel and is flanked by pilasters that crown a pediment with a pinnacle. The facade is decorated with azulejería. Inside the chapel is a neoclassical altarpiece in which the Virgen de la Soledad is venerated, together with portal altarpieces of Santa Rita and San Sebastián, the patron saint of the village. The chapel is approximately 20 metres wide and 35 metres long, and is well preserved. The church has a plaque with a text confirming the canonical patronage of the Virgen de la Soledad over Cantillana. This plaque is decorated with Baroque style and was made by local artist Luís Manuel López Hernández in 2005.

Cantillana is a charming village in the province of Seville, in the heart of Andalusia, Spain. It is located on the banks of the Guadalquivir River, giving it a picturesque location with rich vegetation and beautiful views. Cantillana has a rich history dating back to Roman times and offers several historical sites, such as the Piedra del Moro and the remains of the old city walls. The Torre del Reloj is an impressive building that forms part of the historical heritage of the village. The village is also known for its religious monuments, such as the Iglesia del Dulce Nombre de Jesús y Santa Misericordia and the Ermita de San Bartolomé. These churches and chapels are beautifully preserved and offer a glimpse into the religious and cultural traditions of the region.

The Ermita de San Bartolomé in Cantillana is a historic chapel originally built in the 15th century. The chapel is located in the Plaza de Llano, a central square in Cantillana. It has a basilica plan with three naves, separated by brick columns supporting pointed arches. The roof is wooden, with a central coffered ceiling and hanging on the sides. The exterior has been intensely transformed, highlighting the main entrance of the eighteenth century. The chapel has a beautiful main door from the 18th century and contains several altarpieces and statues, including the image of Jesus of Nazareth and Saint Bartholomew. Currently the hermitage of San Bartolomé houses the images of Our Lady of the Assumption, Saint Bartholomew, Our Father Jesus and Our Lady of Consolation, from the Baroque period, and the painting of Saint Catherine of Alexandria, from the eighteenth century, with some interest in the wall paintings with themes of angels with inscriptions between rock formations, datable to very late dates in the eighteenth century