Attractions and Places To See around Ménétréol-Sur-Sauldre - Top 9

Souesmes must have had some importance towards the end of the 8th century since during the division of the archbishopric of Bourges into archdeaconries themselves divided into archpriests, the priest of Souesmes received the title and function of archpriest. This archpriesthood included 32 parishes, all located to the east of Souesmes (except Salbris). It extended as far as the Loire to the northeast and to Boisbelle (Henrichemont) to the southeast as recalled by the table drawn up by Canon Augustin Petit, priest of Souesmes from 1892 to 1948, according to documents found in the archbishopric of Bourges. This table is still in place at the entrance to the church. The left side of the choir of the church of Souesmes is placed under the protection of Saint Julien, beheaded in Brioude around the year 304. The original building was no longer sufficient for the development of worship, which is why a larger Romanesque-style church was built on the same site during the Carolingian era. The walls of the nave bear witness to this period, the six windows being very small at the time. Carolingian terracotta modillions found in the walls during work in the 19th century allow us to date the period of construction of the walls. One of the modillions is in the Museum of Religious Art in Blois and two others, owned by SAHAS, are in the Marcel de Marchéville Archaeological Museum in Romorantin-Lanthenay (article by Joëlle Fallot - Jean-Marie Lorain published in the booklet "Souesmes heritage in your commune" produced by the departmental committee for heritage and archaeology in Loir-et-Cher and the municipality of Souesmes with the assistance of the general council of Loir-et-Cher).

The parish church of Saint-Étienne was at the disposal of the Abbot of Jargeau. Of Romanesque origin, the building has a single nave on which are grafted a chapel to the north and south, a straight bay under the bell tower, supported by a sacristy to the north and a polygonal choir. The latter belongs to the 16th century. It includes a three-sided apse preceded by a straight bay. The whole, vaulted with ribs, is lit by five bays with flamboyant tracery similar to the two windows of the bay of the bell tower, contemporary with the choir. This has a square plan. Four pillars projecting strongly from the interior of the nave, receiving the four arches which carry all the masonry of the bell tower, accentuate the tripartite division of the interior volume of the building. The open door, in the north gutter wall, on the sacristy rebuilt in the 20th century, is surmounted by two pinnacles resting on sculpted bases framing an accolade. The lintel was once decorated with a coat of arms. The nave, Romanesque in its external volumes, was necessarily reworked from the 16th to the 19th century. It was probably originally a simple framed vessel whose gutter walls were supported on the outside by flat buttresses with slight projections. In the 16th century, the paneled barrel vault, still preserved in the attic, was hidden by ribbed vaults; the engaged columns which receive the ribs, as well as the corner buttresses visible on the facade belong to this campaign of works. Subsequently, a rectangular chapel was attached to the north wall; the south chapel, built in brick and cut stone, dates from the 19th century, as do the six windows with trefoil lintels illuminating the nave, the rose window pierced in the facade and the gallery installed at its back. A brick vault replaced the 16th century vault on the nave. The semicircular portal, extensively reworked, was formerly protected by a timber-framed porch. The three parts of the building are clearly differentiated in the exterior elevation of the building. The nave, not very high, as well as the choir, with its more slender roof, are dominated by the silhouette of the bell tower. Square in plan, it has four levels punctuated by dripstones; the upper level is pierced with two twin bays per face. The bell tower is crowned by a timber spire. The Sauvegarde de l’Art Français granted aid of 50,000 F in 1993 for the repair of the exterior masonry.

Couldn’t ride across in May 2025 but fun wading through!

Nice photo, it looks really nice

Castle built during the Renaissance by Robert Stuart then Louise de Keroualle, Duchess of Aubigny and Porsmouth. Only the facade and one of the two wings exist today. It is one of the major witnesses to the historical presence of the Scots in this city of character. It can be visited and is worth a look, notably with the ceiling of its large room which is all made of wood, shaped like the hull of an upside-down boat. Good to know: Franco-Scottish festivals take place every year in July.

Castle built during the Renaissance by Robert Stuart then Louise de Keroualle, Duchess of Aubigny and Porsmouth. Only the facade and one of the two wings exist today. It is one of the major witnesses to the historical presence of the Scots in this city of character. It can be visited and is worth a look, notably with the ceiling of its large room which is all made of wood, shaped like the hull of an upside-down boat. Good to know: Franco-Scottish festivals take place every year in July.

The Nançay Star Pole is a radio astronomy observatory created in 1953 over 150 hectares. Its instruments are used for the observation of astrophysical objects, particularly within the framework of European and international programs. There we also find the 4th largest decimeter radio telescope in the world.

Castle built during the Renaissance by Robert Stuart then Louise de Keroualle, Duchess of Aubigny and Porsmouth. Only the facade and one of the two wings exist today. It is one of the major witnesses to the historical presence of the Scots in this city of character. It can be visited and is worth a look, notably with the ceiling of its large room which is all made of wood, shaped like the hull of an upside-down boat. Good to know: Franco-Scottish festivals take place every year in July.