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We went by very quickly

This is a church dating from the 12th and 15th centuries. The nave of the church was paneled in the 15th century. A statue representing Saint Martin on horseback, sharing his cloak, was placed in a niche above the portal.

In 1133, Geoffroi, Viscount of Châteaudun, founded a priory dependent on the abbey of Tiron, in the diocese of Chartres, in this place. When he died, his wife, Helvise de Mondoubleau, built the church around 1140. The church is formed of a long nave ending in a semicircular apse. It has retained several narrow bays, with a semicircular arch, very flared towards the inside. In the 16th century, a chapel was added to the south of the church, a paneling with exposed tie beams above the nave and the choir, and a mass of carpentry to the west which supports the spire of the bell tower on pointed arches. The choir has a trefoiled piscina from the 14th century. In 1660, Jean Gry, a carpenter from Vendôme, executed the altarpiece and the following year, Pierre Janvier, a painter from Mondoubleau, painted the Resurrection which decorates it. The church houses two funerary slabs, one of a priest who died in 1658, the other of François Leboulx, Lord of Chauvellières, who died in 1691.

This church contains 14th century wall paintings. These paintings were discovered in 1895. They formerly occupied the entire width of the western wall of the nave. The central part was destroyed following the renovation of the door. The left side represented paradise. Of the bust of Christ, in a trilobed medallion, which occupied the center, there remains only a fragment of the cruciform halo. The rest of the composition is divided into rectangular compartments, each enclosing, in the surviving part, a figure of a crowned chosen one. On the right, hell is represented by a cauldron in which several characters are immersed, including a pope, a bishop, a monk, a king, a queen. Above, a woman with her legs apart. On the right, an enormous horned demon sticks out its tongue. On the left, another carries a basket filled with the damned and is about to plunge a woman into the cauldron. Construction periods: 14th century

The church, which remained in the diocese of Chartres in the 18th century, belonged to the Abbey of Saint-Calais. Built in the 12th century, it consists of a single nave continued by a semicircular apse. The semicircular portal is surmounted by a consecration cross. Several pointed bays were pierced in the 15th century. In the 16th century, the church was enriched with paneling with exposed beams. In the sacristy behind the high altar, a beam sculpted with nails, crowns of thorns, fighters, monsters and coats of arms supports the altarpiece. It dates from the 16th century and most likely comes from a half-timbered house.

Located in Droué in Loir-et-Cher, the Saint Nicolas church dates from the end of the 15th or beginning of the 16th century. Droué was in the Middle Ages the name of a castle located between two parishes, Bourguérin and Boisseleau, which each had their own church and their own lord. The Saint Nicolas church, which was built on the site of the old chapel of the Château de Bourguérin, would then have replaced an old parish church. Today, the building is characteristic of Perche Vendômois. The nave, covered with paneling, was enlarged by a bay on the west side in 1631 by Isaac de Raynier and provided with a semi-circular portal with, on either side, two Doric columns. The choir, which underwent significant alterations in the 19th century, ends with a three-sided apse. Since the 19th century, the church has also had a sacristy and two chapels. In the chapel dedicated to Saint Nicholas there is a door dating from the 15th century or the beginning of the 16th century. We can also observe stained glass windows representing the coats of arms of the imperial families, as well as a painting by Jouvenet: a man in armor is kneeling before a bishop to whom he gives keys. Several wooden statues, including a Virgin which dates from the 17th century, also decorate the church.

Roman times, the town is crossed by the ancient road known as “Caesar’s Path”. Saint-Pérégrin Church, is an 11th century building. Composed of a simple rectangular nave ending in a semi-circular apse, the building is constructed of dark sandstone, also called “grison”. Its length is 26m, its width is 8m33. Frame bell tower in the middle of the roof. No architectural specificity is to be noted, except for the small frame porch on the western facade which, with the gray color, brings a pleasant nuance to this church in the north of the department. Splendid woodwork is arranged in the choir and in the nave. They are made up of the main altarpiece, the side altarpieces, the communion table, the triumphal arch and the preaching pulpit. This set of sculpted woodwork from the 17th century, protected as Historic Monuments, gives a very certain charm to the building. May 1st, numerous pilgrimages to Saint-Marcou for cold moods. Another pilgrimage to Saint-Vrain. The church has numerous statues made of painted carved wood between the 17th and 18th centuries, representing different saints. They are all listed as Historic Monuments.

The church has a very pretty Renaissance-style choir entrance. Certain stained glass windows, the woodwork of the choir, the altarpieces and the font are classified. The current church, rectangular in plan, replaced a 12th century building. The flat bedside and the north wall, equipped with Romanesque windows and slightly projecting buttresses, date from this period. It was rebuilt and probably enlarged in the first half of the 16th century. It was then covered with beautiful paneling, the beams of which bear the arms of the Vove, lords of Saint-Agil. The church is also flanked to the south by a seignorial chapel of two bays opening onto the nave with two molded semi-circular arches: its ribbed vaults, with eight ribs leading to the four peaks of a central diamond, are each decorated with four sculpted pendant keys, one of which also bears the arms of the Vove; the date 1547 can be read on its door. The church is currently preceded by a bell tower built in 1886 by Mr. Travaillard, an architect in Saint-Calais. A window to the south of the choir has preserved a partly restored 16th century stained glass window, representing Saint-Agil and Saint-Fiacre, and one of the windows of the seigneurial chapel has another, representing the Nativity, the Adoration of the Shepherds and the Adoration of the Magi; the other window of this chapel has a modern stained glass window retaining some old fragments in the speckles. The choir was decorated with woodwork including an entrance arcade surmounted by a crucifix, stalls, a communion table and an altarpiece, the latter dated 1734. We can also point out a font decorated with balusters and of a skull (1552), the poetic epitaph of Catherine-Geneviève de Verthamont (1740), a painting representing a martyr (17th century), a Louis XV console and a Venetian glass chandelier.”