The best road cycling routes around Civry

Saint Mames was martyred in Cappadocia around 1274: local legend has it that a saint offers a helping hand to cross the Loir. On April 17, 1707, thunder struck the bell tower.

The church consists of a single nave, extended by a single-bay choir, and a semicircular apse. Two canted chapels, forming a false transept, were added during this renovation. The church is dominated by a timber-framed bell tower that rises above the first bay of the nave. The gable of the western facade was rebuilt in the last century, an external wooden porch removed. The central axis of the current facade is punctuated by a semicircular door surmounted by an archivolt, a circular opening on the first level and a small window pierced in the upper part of the gable. On the north side, a highly raised stringcourse forming a cornice, resting on simple modillions, still survives in the upper part of the wall. Additional openings were added to the old, narrow, and uneven openings in the last century, in the nave, as well as in the choir and apse, to allow more daylight to enter the building. The interior of the church is covered with a paneled roof structure: the one covering the nave is believed to date from the 16th century. The entire structure has been given a coherent decoration, from the faux-stone plasterwork to the paneled vault, the furnishings, and the statuary. The church also boasts a 17th-century polychrome wooden statue of Saint Barbara. The Prunelé coat of arms appears at the bottom of the stained-glass window of Saint Louis and, outside, on a medallion on the apse wall. The Sauvegarde de l'Art Français (French National Art Protection Agency) granted €5,000 in grants in 2004 for masonry and roof repairs and the installation of drainage.

The imposing structure known as the "Château de Chateaudun" that reveals itself to visitors here is, of course, also available in other sports in the komoot system. For the corresponding hiking highlight, you'll find further relevant information and additional photos under the tips. If you're interested, see =>> https://www.komoot.com/de-de/highlight/936307

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The Henri Ey Hospital Center is a departmental public health establishment, specialized in psychiatry, which provides a mission of prevention and reception, care, aftercare and reintegration in mental health in Eure-et-Loir. It provides care in adult, child and adolescent psychiatry, as well as a medico-social activity in the field of geriatrics and psychological and mental disabilities.

The Saint-André church burned down in the middle of the 19th century. The priest, forced to celebrate mass in a barn, opened a subscription in 1864, the church was rebuilt in 1865, according to the original plan, plus a transept. Bell tower-porch.

Saint-Pierre-et-Saint-Paul Church is a Romanesque building that underwent some modifications following the partial destruction of the village during the war of 1870. The oriented nave ends with a semi-circular apse and adjoins, to the north, a side aisle. Access is located in the southwest part of the nave, protected by a long canopy. A sacristy was built outside the work and communicates directly, to the south, with the apse. The aisle opens onto the nave by two large arcades. At the entrance to the choir, stand two columns with primitive capitals intended to receive an arch that was probably never built. The nave and the choir are covered with a paneled vault. Two pointed arch bays light the nave to the south. The windows of the apse and the aisle are semicircular. The west gable also includes a semicircular bay. On this side of the church, the arch of the old portal, now walled up, is still visible. An oculus has been pierced in its upper part. The roof is made of slate, as is the bell tower, erected on the western part of the roof. Inside, the decor is especially remarkable for the wall paintings from the 12th and 13th centuries that were discovered in 1939, behind the altarpiece of the sanctuary, by Father Moriceau, the parish priest. Some of them are illegible, others have been perfectly identified. These are the scenes depicting the Descent from the Cross, the Holy Women at the Tomb, the Baptism of Christ, and the Meal at Herod's. Like those in the church of Lutz-en-Dunois and the chapel of Yron in Cloyes, these wall paintings are characteristic of the artistic creation of the upper Loir Valley in the Romanesque period. For the restoration of the plaster and the renovation of the south facade of the church and the porch, the Sauvegarde de l’Art français granted a subsidy of 35,000 F in 1998.

Porte de Boisville Its ogival portal opens into a thick quadrangular massif where there was a room for operating the portcullis. We can still see the groove in the thickness of the walls. On the left and right two small funnel-shaped spaces allowed the defenders to observe and repel the enemies who appeared on the bridge. The gate was topped by a building serving as a guardhouse which was demolished in 1761. The guarding of these doors and their keys was in the troubled times of the Hundred Years' War the subject of concern for the inhabitants and also a source of quarrels and trials between the city and the abbey. This gate is preceded by a bridge of 5 stone arches, the one adjoining the gate was built in 1774 and replaced a drawbridge which defended the entrance.