The best road cycling routes around Montreuil

The charm of Nogent le Roi.

The Moulin de Mormoulins is a watermill located on the Eure River in the hamlet of Mormoulins. This mill dates back to the 18th and 19th centuries and is a listed historical monument. You can admire the old stone building, the wooden wheel, and the canal that diverts water from the river as you pass in front of the mill. The mill is surrounded by green fields and trees, creating a peaceful and relaxing atmosphere.

The first mention of the existence of the Church of Saint-Martin de Nonancourt is a 12th-century charter, but the original building probably dates back to the 7th or 8th century. The bell tower that now occupies the middle of the façade dates from the reconstructions of 1204. During the Hundred Years' War, the church was largely destroyed, like many buildings in the region. The side aisles, nave, and choir were rebuilt in the 16th century. The Chapel of the Virgin, also known as the Chapel of the Rosary, was also added. The Church of Saint-Martin contains numerous works of art, some of which are listed: neo-Gothic and Renaissance furnishings, including the centerpiece, the pulpit, a veritable wooden lacework; a variety of statuary, a 16th-century organ case and finally an enigmatic fresco discovered during recent works in 2001. The stained-glass windows of the church constitute a truly remarkable collection, both in terms of their number (26 in total) and their quality. The lower windows of the nave are the oldest pieces, dating from the 1500s, while the upper windows date from the 1520s and 1530s.

According to tradition, the church choir covers the remains of an older building, possibly dating back to the 6th century, which was built to house the saint's body. According to current knowledge, the commune of Saint-Piat (Sanctus Piatus in Latin) officially appeared in 1087, mentioned in a charter of the Nottonville Priory (Eure-et-Loir), on which it depended. The current building was rebuilt during the time of Francis I, as suggested by the date 1535 engraved on two buttresses of the apse and the date 1542 engraved on a piece of wood from the vault. This is according to a study by the SAEL (Eure-et-Loir Archaeological Society). The three-sided apses, the dripstone towers (horizontal members projecting from a wall), and the sculpted roof structures are a testament to the importance of the reconstructions carried out in the department during the 16th century. The church of Saint-Piat is one of them. While the church has not been officially recognized, it nevertheless contains objects that have attracted attention both for their antiquity and quality, but not always for good reason. Their artistic value, far from attracting only religious or aesthetic interest, has also aroused a covetousness that, unfortunately, remains for some of them. Fortunately, those still in place are carefully cared for and offer the curious a story to discover, a beauty to slowly ponder as they progress toward the choir.

Many centuries ago, our ancestors discovered the possibility of harnessing the power of the elements—which, while helpful and useful on the one hand, could also be a threat as untamed forces of nature—for various purposes, thus eliminating the need for human or animal muscle power. Mills like these are a good example of the human engineering skills of earlier generations: The heavy millstones used to grind grain or press oil, for example, could be powered by wind or—as in this case—water.

Dedicated to Saint Blaise, the church of Havelu is oriented and comprises a single nave. Its construction dates back to the 16th century. The choir, older and narrower than the nave, ends in a three-sided chevet. Constructed of flint blocks, the building is erected on a sandstone base. Two-stepped buttresses rise to the cornice. The western door appears to date from the 19th century, based on a Gothic-inspired model. It consists of a pointed arch with two tori exposed by wide grooves resting on prismatic bases. A lowered arch supports the blind tympanum. A shell is carved on the lintel of the south door, now walled up. A pointed octagonal spire rises from the bell tower. The roof is slate. Inside, the roof structure is exposed and retains the original stencilled decoration on the shingles. The name of the clergyman who commissioned it can still be seen: "M[ai]stre Jehan Menere p[re]b[t]re chaplain of this place." The furnishings of Havelu church are remarkable for their uniform 18th-century decoration. A partition altarpiece is located in the choir. Signed and dated by the artist, Pierre Pilastre (1753), it features, in the center, a painting of the Resurrection, inserted between two fluted pilasters flanked by scrolls with floral and fruit motifs and topped with fire pots. At the ends, each of the two doors is surmounted by a painting, one depicting Saint Blaise, the other Saint Barbara. At the choir entrance, the triumphal arch—by the same craftsman—also survives. A work bench, a confessional, and a lectern from the same period complete this decorative ensemble. In 1998, the Sauvegarde de l'Art Français (French Art Protection Association) granted a donation of 60,000 francs to strengthen the bell tower's framework.

A very beautiful greenway It's an old railway line that has been covered over; it used to go all the way to Dreux. We love going there for cycling, and it's also ideal for walking and rollerblading.

Very beautiful pond