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The church of Châtenay, which stands near its cemetery in a modest village in the Beauce region, is placed under the invocation of Saint Sulpice. Its construction could date from the 16th century. Behind a porch tower that rises majestically at its entrance, a rectangular nave of four bays serves as both nave and choir, ending in a flat chevet; an appendage to the east serves as a sacristy. A seigneurial chapel opens on the north side of the choir. To the south, a side aisle with its own entrance was built in 1720, the date when the tower was also supposedly raised. This two-story tower, covered by a gable roof, is built on a square plan, the second story set back from the first and pierced on each face by two semicircular bays. Inside, the nave is covered with a wooden cradle vault with exposed tie beams, the side aisles being rib-vaulted. Large pointed arches separate the nave from the south side aisle. On the eastern wall, large pointed bays have been walled up for the presentation of the large altarpieces. Buttresses with glacis, thick but narrow, reinforce the side walls at the level of separation of the bays, as well as at the chevet. The Sauvegarde de l'Art Français paid a sum of 75,000 F in 1993 to ensure the waterproofing of this building.

The nave dates from the 13th century, the sacristy from the 18th. Of very simple construction, the church nevertheless contains masterpieces. First, an antependium in painted Cordoba leather, representing Saint Médard; classified as a historical monument, just like the bells. A wooden cabinet from the 13th century containing a necrology. A painted wooden altarpiece from the 12th century, featuring two statues, repainted in 1893, representing St Médard and the Virgin Mary. A churchwardens' bench serving as an altar.

It was at the request of the parishioners of Orgères that the decision was made to demolish the old church. Typically, this type of partial or total destruction comes from the religious hierarchy. The current church was rebuilt at the end of the 19th century. The reconstruction is quite successful, judging by the choice of materials and the proportions of the building. The stained-glass windows created by the master glazier Loire are perfectly integrated into this new ensemble.

The bell tower and nave were erected in 1150 to house the relics of Saint Martin. The choir and side aisles date from 1519. At the beginning of the 17th century, significant ornamental donations were added, as well as two altars in the side aisles dedicated to Saint Sebastian and the Virgin Mary. Major renovations were carried out in the 19th century: the choir vaults were completely rebuilt in 1859. The stained-glass windows date from 1871. A baptistery outside the building was built to the north of the first bay of the nave. The bays above each altar are built in the neo-Gothic style. The original decoration, dating from the 16th to 18th centuries, consisting of geometric elements in red, yellow, and black, has recently been restored. It is a tempera painting on a sand and lime plaster. It adorns the elevations and the vaults of the two lower sides.

The old building, which was entered from the cemetery on the west side, was in very poor condition. The reconstruction, preserving the 16th century tower, reversed the orientation of the nave.

The tower of the church of Sainville, as well as the choir and the first three bays of the main nave, are in the Transitional Romanesque style from the end of the 12th century; the rest of the main nave and the side aisles appear to date only from the 15th century. The bell tower contains three bells. The largest, listed as a historic monument, is engraved with a quatrain: "Founded smokes all new I am the Patron of Sainville, I bear the name of St. Peter. In the year 1014. XLIX." (1549) The second, from 1821, bears this inscription: "Blessed be the Lord God of Israel, for he has visited and redeemed his people." Gospel of Saint Luke, chapter 1, verse 68. The third is located above the other two.

Construction of this neo-Gothic church began in 1892. On December 8, 1895, it was inaugurated and blessed, becoming the parish church in place of the Church of Saint Rémy. However, sculptures and stained-glass windows have been added or renewed to this day. The stained-glass windows in the nave depict the Beatitudes. Seven sculpted groups in the heart of the church symbolize the sacraments.

Building built to commemorate the battles of Loigny-la-Bataille on December 2, 1870. Nine thousand men fell in combat. The church was designed by the architect Lucien Douillard. The apse and the ossuary crypt, square in plan, are connected by two spiral staircases. The walls of the apse and the vault are decorated with paintings of historical and religious motifs, and covered with commemorative marble plaques bearing the names of the 700 recognized soldiers. The crypt preserves the tombs of Generals de Sonis and de Charette, as well as the bones of killed soldiers.