The best road cycling routes around Coudray-Au-Perche

In the Middle Ages, Saint-Avit-au-Perche was a priory of the abbey of Saint-Calais, founded by Avit's companion. Today's church dates from the very beginning of the 12th century. It consists of a five-bay nave ending in a semicircular apse. It is covered with chestnut shingles. Several original windows remain; others have been reworked (including the first window, on the north side). This can be seen in the shape of the keystones. A walled-up side door to the south can be seen from the outside. It has an enormous mitre lintel. Inside, it has been transformed into a niche housing Our Lady of Lourdes. The apse is flanked by projecting buttresses. Those at the corners of the façade are from the 15th century. The western portal in a pointed arch is a 15th-century renovation that was completely redone at the end of the 20th century.

The Saint-Lubin church, built on a sloping site, is a vast building with juxtaposed constructions, bearing witness to renovations and additions up to the 19th century, the oldest distinguished by the presence of grison, the most recent by limestone and flint. The sanctuary was ceded in 1077 by the monks of Saint-Denis de Nogent-le-Rotrou to the monks of the Saint-Père de Chartres abbey. Built in the 11th-12th century, the nave extended by a semi-circular apse is the oldest part of the church, in Romanesque style. In the thickness of the north walls of the nave are still visible the grison bonds which bear witness to the original openings. The building was considerably enlarged in the 15th and 16th centuries by the construction of a large transept, formed of two chapels, and a south aisle forming an alignment of gables attached to the slopes decorated with leafy motifs and finished with chimeras. The construction of the north aisle, just begun, was not finished. On the outside, on the west wall of the chapel, we can see the beginning of a first bay (stone arch and walls removed that remained unfinished). On the gable of the north transept, the walled door can be seen from the pointed arch and the ornate pinnacles, characteristic of the end of the 15th century. In the center, two animals present a coat of arms. On each side of the door, niches with canopies once housed statues. Above, we can still see a coat of arms presented by two bearded figures and probably surmounted by God the Father. According to local tradition, all or part of the extensions were due to the generosity of Florimont Robertet, who owned the barony of Brou from 1509 until his death in 1527, and it was because of this that the work was interrupted. Occupied by the revolutionaries, the building became a ten-day temple in 1794; it was finally returned to worship in 1802. Burnt down by lightning in 1813, the upper part of the bell tower, which was a slender spire, was replaced by the construction of a square limestone tower pierced with louvers. On the southern part of the bell tower, a turret provides access to the bells. In the southern part of the nave, a door, now blocked and highlighted by a basket-handle arch topped with a pinnacle, provided access to the cemetery that once surrounded the church. The building can boast of having preserved very uniform oak furniture, most of which was made in the second half of the 18th century.

Occupying mainly a hill dominated by a curious dome-shaped bell tower, the territory of Brunelles has a rich historical past, sometimes even bordering on the marvelous. If the very ancient occupation of the place is attested to in Bois-Jahan, the disappearance of the village of La Ferrière and its church of La Madeleine during the Hundred Years' War (14th-15th century), give the hamlet of Vieux Murs a legendary air... A fortified castle and a chapel below probably stood here. Furthermore, because the lords of Brunelles who were the vassals of the Rotrou, were required to guard the Saint-Jean castle, one of the towers of the Nogent castle still bears the name of the village today. Situated on a rocky peak, the Saint-Martin church is visible from afar. Built in the 15th century, most of it, including the spire, was unfortunately destroyed by fire, and only the stone choir with a semi-circular vault is original. The nave is lit on each side by three flamboyant-style windows, and in the choir you can admire the beautiful stone altarpiece that has recently been restored. You will also notice an oculus on the south face, found during the 1998 restoration campaign, and enriched with a recent stained glass window illustrating the Creation. Finally, visitors should not fail to stop by the relics of the young Alexander, tortured for refusing to renounce his faith in Christ, as were other saints called martyrs for this, from the Greek "witnesses". There are thus many relics in our churches: they can be found at the first origin of basilicas, often built on ancient funerary areas on the outskirts of ancient cities. The relics of the saints are to be considered as the very humble signs of what their bodies were, the evocation of their human condition: it is with their bodies that the saints acted, thought, prayed, worked, suffered and experienced death. The monastery of the Val d’Arcisses was the first foundation of the monk Bernard d’Abbeville, later called Bernard de Thiron, because the monks of St.-Denis de Nogent-le-Rotrou would not let him do it! Bernard had to settle nearby, in the parish of Gardais, under the protection of the bishop of Chartres, Saint Yves and de Rotrou, Count of Perche. He had been established in a manor located between Brunelles and Ozée. The Notre-Dame-du-Val-d’Arcisses abbey welcomed Benedictine nuns during the 17th and 18th centuries. Destroyed during the Revolution, all that remains is the gatehouse, a beautiful arch embedded in a façade. One of the monks' major works was to dig the Arcisses canal, a diversion from the Cloche: it irrigated the abbey's lands and supplied the fountain which flowed near the Notre-Dame church in Nogent-le-Rotrou.

The church has a Latin cross plan. It has a single nave and a flat chevet. A small building is attached to the chevet. A bell tower flanks the building. Buttresses support the drip walls and the gable wall. Pointed arch bays with tracery illuminate the building. The portal, in a low arch, has its external arched voussure.

Church built in the 12th and 16th centuries. Listed apse from the 12th century. 4-storey bell tower. Corner buttress bell with staircase turret. Renaissance portal. Large Gothic window above the portal. 16th century roof and nave. Stone statue of a bishop, 16th century paintings.

Parish church, as well as its polychrome stone choir enclosure, with the exception of the bell tower and the sacristy built in the 19th century. The church consists of a main nave whose choir ends with a semi-circular apse from the Romanesque period. The large mullioned windows were installed in the 15th century. The south aisle dates from the 16th century. In the second half of the 19th century, the church underwent major modifications: construction of the sacristy in 1860, brick vault in 1870, stone bell tower according to the designs of the architect Prempain around 1879.

Formerly La Loupe, Vaupillon and Saint Eliph formed only one parish called the Trinity of the Woods. The church contains a set of 3 painted stone altarpieces from the 17th century. One is dated 1646 and signed Delahays: it includes 3 sculptures: a trunk of grace, representation of the trinity in which God the father holds before him his son on the cross, the dove of the Holy Spirit hovering above his head You can also see a statue of the local saint in painted and gilded stucco and a Saint Sebastian in painted stucco, characteristic of the counter-reformation. A small chapel to the north was added in the 19th century which contains a pieta.

Very beautiful start to the route with an arrival at this magnificent mill